The BFI, in partnership with the Czech Centre London, are holding the first major retrospective of the films of Věra Chytilová. The season marks the anniversary of her death last year.
As the dust settles on the obituaries and the funeral flowers fade, the tribute screenings of Věra Chytilová‘s films begin.
The Czech Centre London is screening Daisies at the Hackney Picturehouse on Sunday 13 April, along with the portrait of Věra from the Czech made Golden Sixties series, directed by Martin Šulik. The screening has now moved to a larger screen at the Picturehose having sold out last week. A few tickets remain, but be quick! Great to see so many people in the UK take part in the tribute.
April sees A l’Est du Nouveau Film Festival screening Daisies (Les petites marguerites in French) in Rouen, France. Let me know about other tribute screenings you find out about!
Daisies (Sedmikrasky, 1966) looks set to be the lead film in the tributes, it’s one of the few Chytilova film released with English subtitles, and the only one with a UK release, through Second Run
Read The Guardian obituary.
Burning Bush (Hořící keř), the film about the self-immolation of Jan Palach in 1969, is on course to pick up an armful of awards at the Czech “Oscars”, the Český lev (Czech Lion) awards in February. The film was disqualified from entering the foreign film category in the Oscars as it was edited from a three part tv series, and was nominated in every eligible category for the Lions, a total of 14. In contrast, Jiří Menzel’s The Don Juans (Donšajni), which replaced Burning Bush as the Oscar nomination received only one, for best sound. See the full list of nominations in Czech. See also this article in Prague Post.
The Czech Lions themselves have been touch and go this year, the nomination and voting process has changed, as has the venue for the ceremony on Saturday 22 February. It’s now at the Rudofinium in Prague, previously it had taken place in the Lucerna complex of Wenceslas Square.
Burning Bush also dominates the nominations for the Czech Film Critics Awards, taking place this Sunday, 25 January, and showing on Czech TV.
We’ve found the trailers for the nominations for best film:
Jiří Menzel takes part in a Q&A as his latest film The Don Juans (Donšajni 2013) premières on Saturday 9 November at the Riverside Studios, London. It’s being show as part of the Made In Prague Czech-O-Slovak film festival presented by the Czech Centre London. Showing before The Don Juans is Menzel’s Oscar wining Closely Observed Trains (Ostře sledované vlaky 1966).
Our photo is taken from the cult horror film Ferat the Vampire (Upir z feratu 1982) recently revived by the Czech National Film Archive. Jiří Menzel played the character Marek in the film. Read more about it here.
See this recent interview with Jiří filmed by Film New Europe before the Prague
première of The Don Juans:
The car star of the cult 1980s horror film Upir z feratu (Ferat the Vampire) has gone missing. Ferat, actually a Škoda Super Sport prototype from 1971, has been taken from display at the Škoda museum in Mlada Boleslav. The film is showing in Prague on the 29 November as part of the National Film Archive’s East European horror series.
On the surface it’s a straightforward normalisation film: “look, you won’t even miss decadent western capitalist horror films, because, well, we can do our own!”. A simple plot: a new car from the Ferat Corporation appears to drain its drivers of energy, life even. Our investigative hero sets out to find the secret of the car and the corporation…. I won’t spoil the plot here, although one slightly cruel review suggested it needed a transfusion in the middle.
It’s not as simple as that, though. The team that made the film, for instance, looks decidedly dodgy:
So, a group of film makers that are not in favour with the regime make one of the few Czechoslovak horror films. It’s tempting to make analogies with the activities of those in Hollywood, USA, during the communist witch hunts of the 50s: the uncredited roles by those banned, and works rich in metaphor and references. Cy Endfield’s Hell Drivers for example.
Švankmajer’s contribution to the film is possibly signalled by the clip of one of his films (ID please!) shown on a TV. In any case, the Faustian nature of the plot sits comfortably within his oeuvre. He is now credited with the creation of the visceral elements of Ferat, including the scene where Menzel’s character approaches the car, slices the throbbing bonnet with a knife, and is drawn to slide his hand into the wound, Cronenberg style, only for the car to attempt to pull him inside in the classic Freudian manner. This scene uses Švankmajer’s hallmark use of raw meat as living flesh, and originally included a complete meat engine that was censored. See this article from Olomouc Museum of Modern Art, which recently hosted an exhibition of Švankmajer’s works and film props.
It’s tempting to credit another animation segment to Švankmajer. The scene is played by Menzel on a home movie projector and includes Juraj Herz hamming it up as a Dracula style vampire. This article adds some background.
If we agree on the allusion to Nosferatu in the title, it’s also possible to see Ferat as a play on Fiat/Ferrari, pillars of the decadent western car industry (although Fiat had widespread collaboration with the communist car industry, especially in Poland and the Soviet Union).
The car itself is real: a prototype built as the Škoda Super Sport, based on the S110R coupe, as are the Škoda rally cars seen in the film. The car, in common with the S110R, had its engine at the rear, the front bonnet covering the luggage area! Bony a Klid, Vit Olmer’s film about gangsterism at the end of the communist era, has a long opening scene filmed at the Škoda Factory in Mlada Boleslav.
Theodor Pištěk, who gave the car it’s makeover, actually drove on the racetrack competitively for Czechoslovakia in the 1970s. The Super Sport also made an appearance in the film Tomorrow I’ll wake up and scald myself with tea ( 1977). Both films are based on short stories written by Czech science fiction author Josef Nesvadba. See this page for other cars used or seen in the film.
This years Made in Prague season celebrates the twin and linked film cultures of the Czech and Slovak Republics. This year is also the 20th anniversary of the split of Czechoslovakia into two separate countries.
The programme features new and classic Czech and Slovak films. New films include Burning Bush and My Dog Killer as previously reported.
Two highlights of the weekend 9-11 November include films and personal appearances by two legends of Czech and Slovak cinema. Jiří Menzel is here for the UK premiere of his most recent film, The Don Juans. Also screening is his Oscar winning Closely Observed Trains ( Ostře sledované vlaky 1966). Jiří is 75 this year. Here’s a recent interview by Film New Europe.
Also celebrating his 75th birthday is Juraj Jakubisko, the Prague based Slovak director. He is here for the screening of the film Birds, Orphans and Fools (Vtáčkovia, siroty a blázni 1969), a film that bears comparison with those of Truffaut and Goddard, and one that was banned for some years under the communist regime.
Here’s a clip from the film:
His best known film in the UK is probably Báthory (2008), starring Anna Friel.
Find out more about the season on the facebook page.
The Inner life of Objects opens at the University of Brighton Gallery today. It’s a major celebration of the work of the legendary Czech surrealist Jan Švankmajer running from 11 October to 2 December 2013.
The exhibition is presented by CINECITY Brighton Film Festival in partnership with the the Czech Centre, London. CINECITY is holding a complete retrospective of Švankmajer’s films during the festival that starts on 14 November. You can find out more on the dates, times and venues for the films on the Czech Centre’s website.
The Karel Zeman museum in Prague celebrates its first birthday today. They’re celebrating with Karel Zeman’s daughter Ludmila who is unveiling costumes from Zemans films now on display. The Fundus (costume department) at Barrandov is lending costumes from the films on a regular basis. They both hope the joint activity will boost film tourism in the capital.
The Museum is also promising the digital release on DVD of Na Kometě (On the Comet 1970).
Burning Bush and My Dog Killer are part of the Made in Prague season at the Riverside Studios, London this November.
This years programme has a Czech-o-Slovak flavour, with films from both countries showing in celebration of their long and linked film cultures.
Burning Bush (Hořící keř) tells the story of Jan Palach from 1969. My Dog Killer (Môj pes killer) depicts life in Czech/Slovak border country. Both are respectively the Czech and Slovak Oscar nominations. They show at the Riverside Studios on the weekend 10-11 November.
The Made in Prague season is supported by the Czech Centre London.
See trailers for both films here: